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The film is framed because the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mix of cruel reserve and vigorous physicality through the great Denis Lavant). Loosely determined by Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use on the Benjamin Britten opera that was likewise impressed by Melville’s work, as excerpts from Britten’s opus take with a haunting, nightmarish quality as they’re played over the unsparing training exercise routines to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing during the desert with their arms from the air and their eyes closed as though communing with a higher power, or consistently smashing their bodies against one another within a number of violent embraces.
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Where’s Malick? During the 17 years between the release of his second and 3rd features, the stories of the elusive filmmaker grew to mythical heights. When he reemerged, literally every capable-bodied male actor in Hollywood lined up to be part from the filmmakers’ seemingly endless army for his adaptation of James Jones’ sprawling WWII novel.
In her masterful first film, Coppola uses the tools of cinema to paint adolescence as an ethereal fairy tale that is both ridden with malaise and as wispy being a cirrus cloud.
This stunning musical biopic of music and fashion icon Elton John is among our amazing bdms favorites. They Really don't shy away from showing gay intercourse like many other similar films, plus the songs and performances are all top rated notch.
“It don’t look real… how he ain’t gonna never breathe again, ever… how he’s useless… and the other a single too… all on account of pullin’ a result in.”
‘Dead Boy Detectives’ stars tease queer awakenings, preferred family & the demon shenanigans to come
Set in Calvinist small town atop the Scottish Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman who's got intercourse with other Gentlemen to please her husband after a collision has left him immobile. —
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But Makhmalbaf’s storytelling praxis is so patient and full of temerity that the film outgrows its verité-style portrait and becomes something mythopoetic. Like the allegory in the cave in Plato’s “Republic,” “The Apple” is ultimately an epistemological tale — a timeless parable that distills the wonders of a liberated life. —NW
You might love it for your whip-good screenplay, which won Callie Khouri an Academy Award. Or possibly for your chemistry between its two leads, because Susan Sarandon and Geena Davis xideo couldn’t have been better cast as Louise, a jaded waitress and her friend Thelma, a naive housewife, whose worlds are turned upside down during a weekend girls’ trip when Louise fatally shoots a person trying to rape Thelma outside a dance hall.
, Justin Timberlake beautifully negotiates the bumpy terrain from disapproval to acceptance to love.
, future Golden Globe winner Josh O’Connor floored critics with his performance as being a young gay sheep farmer in Yorkshire, England, who’s battling with his sexuality and budding feelings for just a new Romanian migrant laborer.